panasonic s5 dynamic range

This is a very good valve for APS-C. Panasonic's exceptional heat dispersion technology realizes stable, long time video recording. I have been looking at the Z6 + 24-70 and could theoretically afford a Canon EOS R6 + 24-105, but the S5 + 20-60 feels very tempting for now. It’s designed to make noisy low-light video footage a thing of the past. Blackmagic wins on resolution , with internal 6K 50p recording in raw available with its Super35 sensor. A larger surface area and a humble 24.2MP resolution mean the Lumix S5 has large pixels of approximately 5.93 microns. With 14+ stops of dynamic range and a wide color spectrum, performance rivals that of a VariCam professional cinema camera. It includes updates to Panasonic's DFD autofocus system, creative photo modes, and video features that come close to matching the more expensive S1H. High image quality even in high sensitivity photo/video and Dual I.S. Powerful Panasonic Sound Boasting 80W of dynamic audio power, the two full range speakers of the SC-HTB200 take the sound of your TV entertainment to the next level. 1/250 (up to 1/320 at reduced power with DMW-FL580L), USB-C, HDMI (Type D), 3.5mm microphone jack, 3.5mm headphone jack, 2.5mm remote jack. L-rumors. And if you don't like our newsletter, you can unsubscribe with a single click, the link is at the bottom of every newsletter. And finally, our torture test, underexposing the image using the internal H264 10bit 4:2:2 long GOP codec, produces very good results even at 4 stops underexposure, pushed back to zero. Panasonic says the dynamic range of the S5 provides 14+ stops, so expect around 12 or 13 useable stops or even less. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. When shooting in any of the 8-bit codecs you can choose to set the luminous range at: 0-255; 16-235; 16-255; Now, the luminance range settings will change … Tip for everybody…do not ever have lens compensation turned on when using VLog. Panasonic has UHD 4K up to 60p with a crop, so is definitely a competitor here. The Panasonic Lumix S5 is a mid-range full-frame mirrorless camera with 24 Megapixels, built-in stabilisation, twin card slots, a fully-articulated touchscreen and 10 bit 4k up to 60p. Powered by Panasonic's latest Venus Engine image processor, the Lumix S5 offers a native ISO range of 100 up to ISO 51200. Hi Michal, the test was done in full frame. You can now record photos in Panoramic formats, including 65:24 and 2:1. Leave that setting off. The Panasonic S1’s 24MP full-frame CMOS sensor achieves a high overall DxOMark score of 95, which is the 12th-highest place overall among all of the cameras in our database. Panasonic S5 Specifications Tweet Share. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. The S5 can shoot 4K at 60p (with a crop applied), or at 30p and using the full sensor. Panasonic, for its part, is working on new S-series primes at 24mm, 35mm, 50mm and 85mm, all at F/1.8, as well as a 70-300mm F4.5-F.5.6 zoom, to grow the range even further. IMATEST dynamic range result for the Panasonic LUMIX S5 at ISO 640 V-Log in UHD 25p mode. Imaging Resource © 1998 - 2020. The Lumix S5 is Panasonic’s answer to Canon’s EOS R6 and is the best video-centric camera in its price range. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. 0.08 sec. I didn’t test DR in APS-C. I’m glad the lab tests are back. As such, it’s got a number of impressive video specifications. Greater light-gathering capability improves noise handling in low light, but it also means the S5 has an impressive dynamic range, rated to around 14 stops. We only send updates about our most relevant articles. We are running the LUMIX S5, the newest addition to the LUMIX S line, through our lab test. The current Panasonic LUMIX range of cameras consists of the S1H, S1R, S1 and now the S5. Shooters will be able to capture images using V-log / V-gamut, making the S5 a viable crash camera for larger productions using VariCam. Did you try any other lenses? Panasonic S5 Specifications Tweet Share. A variety of recording formats and modes including 4:3 Anamorphic mode, Slow & Quick Motion, 4K/60p interval shooting and 4K HDR are also provided. The LUMIX S5 provides 14+ stops of dynamic range, which is as wide as those of cinema cameras, and V-Log / V-Gamut compatibility with popular colorimetry called "VariCam Look". It is a resounding victory for the smartphone in terms of dynamic range, even compared to the GFX 100 RAW file exposed 3 stops under to protect the bright bulb. Panasonic S5 + NINJA V. The Panasonic Lumix DC-S5 complements super capable video capabilities with a lightweight magnesium alloy full die-cast body design. If any of our dear readers have a good explanation for this I would be very interested to hear it. Thanks for the review.Why the S1 dynamic range is better since the sensor is the same ? More light gathering capability improves noise handling at low light, but it also means the S5 has an impressive dynamic range, rated to around 14 stops. Cut my teeth on the Panasonic GH series, always looking to keep the gear as small as possible on my travels through the world, where I am telling cinematic stories as a hobby. The LUMIX S5 boasts a wide dynamic range and reproduces sharp images with exceptional clarity. New Delhi: Panasonic on Thursday launched its flagship S series hybrid full-frame mirrorless camera LUMIX S5 in the India market. Image Engineering rated the dynamic range of the S5 as “excellent” at 11.2 f-stops at ISO 100 and 10 f … Then we successively reduce the shutter value to 180, 90, 45, 22.5 and 11.25° giving 5 stops of underexposure. With 24.2MP 35mm full-frame CMOS sensor, the LUMIX S5 boasts a wide dynamic range and high sensitivity performance. At 14.5 EV, the S1’s (Landscape) dynamic range score is … The LUMIX S5 features a dual native ISO sensor, with ISO 640 and ISO 4000 being the two native values. The amount of stops a camera has doesn’t mean anything, especially if the highlight handling of the camera isn’t great. Will you consider it to be your next camera? Above: For reference here is a straight out of camera image from the new Sony A7S III which also cannot compete on dynamic range straight out of the camera vs the Huawei P40 Pro Plus. The LUMIX S5 delivers 14+ stops of Dynamic Range, which are virtually the same as those of the Panasonic cinema cameras, to precisely reproduce everything from dark to bright areas. High image quality even in high sensitivity photo/video and Dual I.S. 0.08 sec. We always use double opt-in, so please confirm your subscription by clicking on the link you will receive in an email after you hit "sign up". The Panasonic Lumix DC-G9 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. ... DxO Dynamic Range Score (evs): DxO Maximum Effective ISO Score (iso): Image Capture; Image Resolution: 6000 x 4000 (24.0 MP, 3:2), Featuring a full-frame 24.2MP CMOS sensor, the Panasonic S5 (Amazon, B&H, Adorama) is distinguished by its Dual Native ISO, wide 14+-stop dynamic range, and 4K 60p/50p 4:2:0 10-bit, and 4K 30p/25p 4:2:2 10-bit internal recording plus 4K 8-bit with no limitation of video recording time. It obtains the HLG Photo Mode, which increases the dynamic range and improves detail. Do you think the green iris effect is from the lens? DTS Digital Surround combines with Panasonic technologies to deliver clear acoustics, stereophonic effects and incredible power. What about dynamics in apsc mode?Michal. More light gathering capability improves noise handling at low light, but it also means the S5 has an impressive dynamic range, rated to around 14 stops. The Hybrid Log Gamma mode is designed for display on the latest Panasonic HLG-compliant 4KTV via a HDMI cable connection, offering 3x more dynamic range than a standard image. The S5’s performance in these viewing conditions is comparable to competitors like the Nikon Z 6II and Sony’s a7C. DXO Dynamic Range (EV) .. 14.7 DXO Low Light (ISO) .. 3730 Screen Specs Panasonic S5 Sony A7 III Viewfinder Type Electronic viewfinder Electronic viewfinder Viewfinder Field of View 100% 100% Viewfinder Magnification 0.74x 0.78x Viewfinder … cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, CineD’s Mirrorless Cameras of the Year 2020, Hollyland Lark 150 - Dual Wireless Audio System Announced, Atomos Ninja V Now Supports ProRes RAW for Olympus OM-D E-M1X and OM-D E-M1 Mark III, Renderro – Cloud Workplace for Filmmakers, Designers, and Animators, MZed Course Review – The Art & Technique of Film Editing with Tom Cross, Panasonic LUMIX BGH1 First Look Review & Mini Documentary, Astera NYX Review - The Quest for the Perfect Cinema Lightbulb. In-camera, the vignetting compensation was turned to “off”. The S5 has many advantages with its full-frame sensor, including lowlight and dynamic range. The Panasonic S5 features a 24.2 megapixel CMOS sensor with an expanded ISO range of 50-204,800, the latest Venus image processing engine, a free-angle 3.0-inch touchscreen LCD with 1.84m-dot resolution, and a 2.36m-dot OLED electronic viewfinder. Since my colleague Johnnie has brought the Panasonic LUMIX S5 from Japan I was eager to run it through our lab test. Dynamic range measures the luminance range that a digital camera can capture. As usual, we are using our strobe light to generate pairs of white and black bars (they appear due to the nature of CMOS sensor readout). At ISO 640 in V-Log (sharpness and noise reduction set to minimum – “0”) a good 12.1 stops at signal to noise ratio (SNR) of 2 is measured. In DaVinci Resolve (16.2.5) using the waveform result of the zero base exposure scene, we push up the underexposed images by the respective number of stops using the lift, gamma, and gain controls. The LUMIX S5 delivers 14+ stops of Dynamic Range, which are virtually the same as those of the Panasonic cinema cameras, to precisely reproduce everything from dark to bright areas. A larger surface area and a humble 24.2MP resolution means the Lumix S5 has large pixels of approximately 5.93 microns. At 5 stops under, pushed back horizontal stripes start to appear in the image, and the point of no return is reached. But I’m not interested in buying them now. The Lumix S5 Dynamic Range and Color . The S5 has mic and headphone sockets, and supports Panasonic's XLR adapter. The Panasonic Lumix DC-S5 is a full-frame mirrorless camera but in a body smaller than the Micro Four Thirds GH5. The LUMIX S5 … This gives a base exposure of F4 at a 360° shutter angle at ISO 640 using V-Log (sharpness and noise reduction set to “0”). The LUMIX S5 delivers 14+ stops of Dynamic Range, which are virtually the same as those of the Panasonic cinema cameras, to precisely reproduce everything from dark to bright areas. At 14.5 EV, the S1’s (Landscape) dynamic range score is … It’s designed to make noisy low-light video footage a thing of the past. I understand that the above dynamics test was done for full frame? Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4Kp60 10-bit internal recording and up to 5.9Kp30 RAW out over HDMI. L-rumors. The adopted Dual Native ISO technology enables the LUMIX S5 to record maximum ISO 51200 crystal-clear high sensitivity video. The Lumix S5 is Panasonic’s answer to Canon’s EOS R6 and is the best video-centric camera in its price range. Noise is minimized even when shot at maximum ISO 51,200 high sensitivity. The Dual I.S. The corresponding ISO settings for the Panasonic Lumix DC-S5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800. Some new ones that I am interested in are in the labs, which provide a great service. Dynamic range measures the luminance range that a digital camera can capture. Each has its own strengths and some weaknesses, but overall, it is safe to say that the differentiation from one another is rather clear (at least up to the point of introducing the S5): For many cameras, data on sensor performance has been reported by DXO Mark. The LUMIX S5 delivers 14+ stops of Dynamic Range, which are virtually the same as those of the Panasonic cinema cameras, to precisely reproduce everything from dark to bright areas. V-Log and V-Gamut have a claimed dynamic range of over 14 stops. Dual Native ISO: The S5 features dual native ISO circuitry, which is also found on the Panasonic Lumix S1H. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. Panasonic, for its part, is working on new S-series primes at 24mm, 35mm, 50mm and 85mm, all at F/1.8, as well as a 70-300mm F4.5-F.5.6 zoom, to grow the range even further. Dual Native ISO: The S5 features dual native ISO circuitry, which is also found on the Panasonic Lumix S1H. As usual, for our underexposure test, we arrange the scene in such a way that my colleague Johnnie’s face is exposed at a maximum luma value (using a waveform monitor) of 60%. Does any camera use SHORT GOP? If you are not familiar how we test, please head over here. What do you think about the Panasonic LUMIX S5? I’ve never understood the necessity for saying “long GOP.” Where do you draw the line between a “short” and “long” group of pictures? Well-rounded, lightweight, and sleek, the Panasonic Lumix DC-S5 meshes capable video and photo capabilities with a portable body design. The LUMIX S5 delivers 14+ stops of Dynamic Range, which are virtually the same as those of the Panasonic cinema cameras, to precisely reproduce everything from dark to bright areas. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. The Panasonic S5 and the brand new Nikon are both a few dollars short of $2,000, though you will have to wait a few more weeks for the Z 6II which is expected to start shipping by mid-December. I haven’t seen any other reports of that. It is an ideal camera to use especially in low-light situations. In APS-C mode the rolling shutter exactly halves, 10.5ms are measured for 25p and 50p. The LUMIX S5 contains a 24.2-megapixel 35mm full-frame CMOS sensor (35.6 mm x 23.8mm). Counting the bars in full frame 25p mode 21ms of rolling shutter are measured. Summary. Shooters will be able to capture images using V-log / V-gamut, making the S5 a viable crash camera for larger productions using VariCam. Auto / Auto/Red-eye Reduction / Forced On / Forced On/Red-eye Reduction / Slow Sync. The Panasonic S1’s 24MP full-frame CMOS sensor achieves a high overall DxOMark score of 95, which is the 12th-highest place overall among all of the cameras in our database. Panasonic has UHD 4K up to 60p with a crop, so is definitely a competitor here. LUMIX DC-S1H de la Panasonic primește premiul EISA pentru camera foto video pentru 2020 - 2021 02-09-2020 Panasonic lansează programe de actualizare firmware pentru LUMIX S1R, S1H and S1 02-09-2020 Panasonic LUMIX S5 - noua cameră hibridă mirrorless full-frame. Thats what causes that round aperture shading effect. © 2020 All rights reserved. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4Kp60 10-bit internal recording and up to 5.9Kp30 RAW out over HDMI. All in all, Panasonic has provided a very, very capable package with the LUMIX S5 – rolling shutter values are OK (full frame) to very good (APS-C), dynamic range results for both native ISO’s are a solid ~12 stops. The S5 may well have 13-14 stops of dynamic range, but it doesn’t roll off highlights that smoothly, and it hard clips them before you get anywhere near 100 IRE. Blackmagic wins on resolution , with internal 6K 50p recording in raw available with its Super35 sensor. The noise is finely dispersed and can be easily removed by noise reduction, using 3 frames temporal (threshold = 10) in DaVinci Resolve. The sensitivity is … Passionate shooter who isn't doing this for a living. Autofocus Featuring Advanced AI technology Features high-speed (approx. Dynamic range measures the luminance range that a digital camera can capture. With 14+ stops of dynamic range and a wide color spectrum, performance rivals that of a VariCam professional cinema camera. High image quality even in low light situations with Dual I.S. The encoder holds up well, and the noise is finely dispersed such that noise reduction works very effectively. Dual-Native ISO technology exploits the camera’s sensor information to extend its dynamic range and allow for higher ISO movie shooting with lower visible noise. In the waveform also a 13th and 14th stop is visible, albeit buried in the noise floor. Turn it off and its gone. Its video capabilities are extensive and include ‘unlimited’ 4K 60p/50p 4:2:2 10-bit HDMI output plus V-Log/V-Gamut with a dynamic range of more than 14 stops. And you can even apply LUT’s in-camera to make monitoring footage easier. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. At four stops under and pushed back, if it were not for the visible iris the image is still quite usable – remarkable, see above. Fascinated by the new possibilities with small cameras. (Source: Panasonic.) Panasonic has improved the accuracy of continuous autofocus in video mode and face/eye/body recognition accuracy in all shooting modes. The Panasonic Lumix DC-S5 is a full-frame mirrorless camera but in a body smaller than the Micro Four Thirds GH5. The adopted Dual Native ISO technology enables the LUMIX S5 to record maximum ISO 51200 crystal-clear high sensitivity video. Do that and the problem is gone, Hello, thank you very much for a very good test. This is what makes S5 perfect for use when talking still photos or as a vlog camera. The S5 has many advantages with its full-frame sensor, including lowlight and dynamic range. Overview of the current Range of LUMIX Cameras. The Panasonic Lumix S5 packs a tried and tested sensor, as it is the same one found in the higher-end Panasonic Lumix S1H. Otherwise, shooting in any of these profiles helps post-processing grading, as they offer more flexibility than the standard profile. I dont own the S5 but my S1 and S1H do this too. On the S5 Panasonic gives you the ability to assign the luminous range when recording video. Whether you're a content creator, DIY filmmaker, photo hobbyist, or seasoned photographer, the S5 truly has it all: from a 24.2MP CMOS sensor with Dual Native ISO, to 4:2:2 10-bit video, to unlimited recording time in 4K/30p 4:2:0 8-bit and Live Composte mode. Effective slow and quick motion videos can be made in 4K (1-60fps, 30x quick to 2.5x slow) or FHD (1-180fps, 60x quick to 7.5x slow) with slow and quick mode. With Slow & Quick mode, impressive video slow and quick motion in 4K (1-60fps, 30x quick to 2.5x slow) or in FHD (1-180fps, 60x quick to 7.5x slow)*4 is available. Dynamic range measures the luminance range that a digital camera can capture. Filters: Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome*, Silky Monochrome*, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus*, Fantasy, Star Filter*, One Point Color, Sunshine* (*For photos only). Although it’s an excellent all-round performer, its key strength is its (Portrait) color depth, and its score of 25.2 bits is the second-best result (by just 0.1 bit) we’ve seen for a full-frame sensorat this resolution. ... V-Log/V-Gamut compatibility offers a 14+ stop dynamic range to capture every detail. The Panasonic S5 has two native HLG modes for high dynamic range presentation - 4K (3232x2160 pixels) and Full (5984x4020 pixels). Angled view of the DC-S5 camera with the Lumix S 20-60mm f/3.5-5.6 kit lens. 12.1 stops are calculated at a signal to noise ratio of 2. V-log is Panasonic's versions of a log curve which preserves more of the image's dynamic range. The Canon R5, for example, has a really good 15.5ms value (in DCI 17:9 full frame mode). This is what makes S5 perfect for use when talking still photos or as a vlog camera. to suppress virtually any type of … Panasonic LUMIX S5, 4K Mirrorless Full-Frame L-Mount Camera, LUMIX S 20-60mm F3.5-5.6 Lens – (DC-S5KK) DC-S5KK. Also here the waveform shows a 13th and 14th stop within the noise floor. I needs to be turned off when using VLog. Dynamic range and accurate AF in a compact and controls-rich body are the only things I really need. Summary. Panasonic Lumix DC-S5 houses a 24.2 MP full-frame CMOS sensor and Venus Engine image processor delivers wide dynamic range and reproduces sharp images with exceptional clarity.. This result is OK but nothing special for a full frame sensor. Curious to see how it fares? to suppress virtually any type of … *), high-precision AF, and deep learning technology for recognition of human faces, eyes, heads, and bodies, as well as animals. There was a big gap and a lot of cameras not tested. No spam, guaranteed! *), high-precision AF, and deep learning technology for recognition of human faces, eyes, heads, and bodies, as well as animals. JPEG (Exif 2.31), HLG Photo, 14-bit RAW, RAW + JPEG, MP4: H.264/MPEG-4 AVC (Audio format: LPCM (2ch 48kHz/16-bit), AAC (2ch)); MP4 HEVC: H.265/HEVC (Audio format: AAC (2ch)), Contrast Detection with DFD and AI subject recognition: Auto Detection (Face, Eye, Head, Body, Animal) / Tracking / 225-Area / Zone (Vertical/Horizontal) / Zone (Square) / Zone (Oval) / 1-Area+ / 1-Area / Pinpoint / Custom 1, 2, 3 (Full area touch is available) (Scalable AF frame size and flexible AF position), 2,360K-dot 3:2 OLED, 100% coverage, 0.74x magnification, 20mm eyepoint, -4.0 to +4.0 diopter adjustment, eye sensor, 60/120fps refresh rate, 0.005s lag, AWB, AWBc, AWBw, Daylight, Cloudy, Shade, Incandescent, Flash, White Set (4), Color temperature setting (4), 1,728-zone Multiple, Center Weighted, Spot, Highlight Weighted. V-log is Panasonic's versions of a log curve which preserves more of the image's dynamic range. Panasonic says the dynamic range of the S5 provides 14+ stops, so expect around 12 or 13 useable stops or even less. By the way, please have a look at the nice portrait of Ai Kishimoto that Johnnie shot with the Panasonic S5 in Japan here. Although it’s an excellent all-round performer, its key strength is its (Portrait) color depth, and its score of 25.2 bits is the second-best result (by just 0.1 bit) we’ve seen for a full-frame sensorat this resolution. Read on! The LUMIX S5 offers 14+ stops in the dynamic range. Its the in-camera lens compensation setting. Dual-Native ISO technology exploits the camera’s sensor information to extend its dynamic range and allow for higher ISO movie shooting with lower visible noise. However, noise reduction again quite effectively removes the noise and you could get away with this image. The only strange phenomenon is the appearance of the iris shape in the images – having the potential to ruin your shot already at 3 stops underexposure. Panasonic S5 + NINJA V. The Panasonic Lumix DC-S5 complements super capable video capabilities with a lightweight magnesium alloy full die-cast body design. The LUMIX S5 provides 14+ stops of dynamic range, which is as wide as those of cinema cameras, and V-Log / V-Gamut compatibility with popular colorimetry called "VariCam Look". With a 24.2MP full-frame CMOS sensor, the LUMIX S5 boasts a wide dynamic range and high sensitivity performance. As someone who is considering buying an S5 that concerns me. So, let’s jump ahead to the 3 stops underexposed scene, pushed back to zero: Strangely, the shape of the iris of the used SIGMA 45mm 1:2.8 DG DN is visible in the outer areas of the shot (more greenish). On the video side, the S5 can capture 10-bit 4K at up to 60p. Dynamic Range of the Panasonic LUMIX S5 at ISO 4000 in V-Log At the second native ISO setting of 4000, a very similar result for the dynamic range is obtained, 11.9 stops at SNR = 2. 2 combines 5-axis sensor-shift image stabilization and lens-based 2-axis image stabilization, to compensate for approximately 6.5 stops of camera shake. With Slow & Quick mode, impressive video slow and quick motion in 4K (1-60fps, 30x quick to 2.5x slow) or in FHD (1-180fps, 60x quick to 7.5x slow)*4 is available. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. At the second native ISO setting of 4000, a very similar result for the dynamic range is obtained, 11.9 stops at SNR = 2. Dynamic range measures the luminance range that a digital camera can capture. It includes updates to Panasonic's DFD autofocus system, creative photo modes, and video features that come close to matching the more expensive S1H. Please share with us your thoughts at the comment section below! It obtains Panasonic’s full suite of Photo Styles, including their Monochrome L and D profiles for realistic Black & White images. ... DxO Dynamic Range Score (evs): DxO Maximum Effective ISO Score (iso): Image Capture; Image Resolution: 6000 x 4000 (24.0 MP, 3:2), to suppress blurring. That is a very solid result. Apart from that, the 3 stops under image is quite usable, noise is finely dispersed and can be removed very effectively with noise reduction (if you feel you need it). I have no solid explanation for this phenomenon – which is effectively ruining the shot. A larger surface area and a humble 24.2MP resolution means the Lumix S5 has large pixels of approximately 5.93 microns. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. With 24.2MP 35mm full-frame CMOS sensor, the LUMIX S5 boasts a wide dynamic range and high sensitivity performance. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range… Read our full Privacy Policy here. Autofocus Featuring Advanced AI technology Features high-speed (approx. And with V-Log pre-installed, recording in this profile captures a flat neutral gamma that increases the dynamic range to 14 stops. Thank you for this review!Could you also state the read out speed of the electronic shutter of a full frame still image (in highest resolution)? Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range.

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